holocaust

In 1943, a Baedeker on the General Government of Poland was published. The famous tourist guide offered Germans a tour of the Polish outpost of the Eastern living space – also referred to by the Nazis as “Wilder Osten”, or the Wild East. Carol Fily immersed herself for K. in the book, which was designed at the time under the patronage of Hans Frank, the Governor General of Poland during the war.

Much has been written about Holocaust museums and memorials. Ljiljana Radonić focuses in this text to the way the Shoah is exhibited in national museums (especially in Central and Eastern Europe) yet devoted to other tragic events. But why? It is not so much a matter of repairing an omission as of evoking Jewish suffering as a model. In many cases, the message to be understood: “Our” victims suffered “like the Jews”.

During the last days of the Auschwitz camp, Abraham Levite and a group of Jewish deportees conceived of the Collection Auschwitz. The only thing that has come down to us is the introduction to this anthology project, which aimed to bring together a series of clandestine texts written by Jewish deportees in the camp. K. publishes excerpts from this incredible testimony, and an essay by David Suchoff in which he has gathered biographical information on Levite, reconstructed the story of the manuscript and analyzed the project.

Fifty-five years ago, in 1966, Jean Améry published ‘At the Mind’s Limits: Contemplations by a Survivor on Auschwitz and Its Realities’. In the preface he speaks of the “a gloomy spell” that prevented him from speaking for two decades, until the moment when “suddenly everything demanded telling.” This “everything” that wanted to be said is first of all a powerlessness: that of culture and spirit in the face of Auschwitz.

In his column, Rudy Reichstadt,returns to the growing presence of the yellow star in demonstrations (against the vaccine, against health restrictions linked to Covid, etc.): an instrumentalization that testifies both to a pathology of the memory of the Holocaust and to a crisis of the rhetoric of protest.

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Thanks to the Paris office of the Heinrich Böll Foundation for their cooperation in the design of the magazine’s website.