The great translator André Markowicz had never heard of ‘The Jews’, a forgotten play by Evgeny Tchirikov, written in 1903 after the pogrom of Kishinev. He translated it into French and had it published by Mesures. In partnership with Akadem, we have produced an interview – with English subtitles – which gives an account of the importance and singularity of this work.
As of this summer, Pinchas Goldschmidt is no longer the Chief Rabbi of Moscow, a position he held for almost thirty years. Born in Zurich, he arrived in Russia in 1988, during the Gorbachev era, to work on restoring Jewish life at the time of perestroika. He decided to leave his adopted country after the invasion of Ukraine, when he was pressured to support the war. K. met him while in Paris for a meeting of the Institute for Religious Freedom and Security in Europe (IFFSE), of which he is a founding member, as President of the Conference of European Rabbis.
There are the facts: the violence of the Russian force that is bearing down on Ukraine. There are the words: Putin’s propaganda, Zelensky’s desperate appeals to win the support of a West unable to provide a conclusive solution. Then there is the perception of the facts and the words in Europe, stunned by the event and forced to reflect on policy approaches. The return of war to our continental home already points to options for future European integration. These options, ineluctably, find themselves imbricated with questions of Jewishness and Holocaust memory. It is mainly on this issue that Julia Christ proposes her analysis, paying attention to the words used and to the representations deployed on both sides.
Exactly eighty years ago, on September 29-30, 1941, nearly 34,000 Jews from Kiev were executed at Babi Yar, a ravine located west of the Ukrainian capital. The question of the memorialization of the site, raised at the end of the war, has still not found a clear answer to this day. Lisa Vapné gives us a glimpse of the long and conflicting history, full of twists and turns, of a memory that has yet to be built on the very site of the crime.
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Thanks to the Paris office of the Heinrich Böll Foundation for their cooperation in the design of the magazine’s website.