Politics

A group of students enrolled in a course on the Polish Righteous Among Nations went to Markowa, in the Subcarpathian region, to visit the “Museum of Poles Saving Jews during the Second World War – Ulma Family.” Ewa Tartakowsky accompanied this visit. She explains how the discourse that accompanies it resonates with the memorial policies promoted by the PiS government. Excerpts from a field diary, part one.

After reading Philippe Sands’ essay ‘East West Street’, Danny Trom returned to the Galician town, once Polish and now Ukrainian, to follow in his family’s footsteps. The footsteps of Lemkin and Lauterpacht, the two heroes of Sands’ best-seller, overlap with those of Trom’s  grandfather. Lemberg was a land of crime and the epicenter of emerging international criminal law, but also a place where Zionism was dreamed up in Yiddish. Why does Sands occlude this fact? Now war is raging in Ukraine – and thus in Lviv, formerly Lemberg. In what way and how does the tragic situation in the Ukraine involve the Jews? Ukraine addresses this question to both the Jews and the State of Israel. Danny Trom, to resolve this matter, revisits his story with an epilogue, from which he draws a common position for both Europe and the Jews.

The anti-vax and anti-sanitary pass demonstrations, where yellow stars flourish, are the social movement of the summer, in France as in Europe. For Julia Christ, it is not the “anti-system” rear-guard of society that is expressing itself through the gesture of hijacking this historical symbol, but rather a kind of hyper-individualist and ultra-liberal avant-garde.

Jean-Luc Mélenchon’s astonishing statement about the sudden occurrence of a “major event” during the next presidential election has been widely commented upon. However, what is most surprising here is the astonishment itself that these remarks have provoked. There is nothing new in Mélenchon’s dabbling in conspiracy theories, underestimation of the seriousness of anti-Semitism and concomitant scolding of those who dare to worry about it.

How did Jews come to be defined as white? The answer can be found in a relatively new form of critical discourse, presently in vogue, in which ‘whiteness’ functions not as an empirical descriptor, but a politico-moral distinction. Read the second part of Balázs Berkovits’ essay on the implications of this shift, “What Color Are the Jews?”

How did Jews come to be defined as “white” by a critical discourse in vogue today? Why do we label Jews as dominant or privileged – and Israel as a colonial entity practicing apartheid motivated by Jewish and white supremacism? Part one of an essay by Balázs Berkovits on the supposed color of Jews…

Would the prohibition of ritual slaughter jeopardize the very existence of a European Judaism? What is at stake goes beyond the simple comfort of the Jewish community: it is the durability of the pact linking Jews to the continent that is at stake. Beyond that, the identity of Europe and the place it intends to give, in the twenty-first century, to its own Hebrew roots are at stake. Here is the second part of David Haziza’s essay on ‘shehita’ in Europe.

How do we explain the return of pogrom imagery as Israel grapples with interethnic violence between Jews and Arabs? More than seven decades after the state’s founding and the end of the British Mandate, why does such language persist? Examining the spate of Jewish-Arab clashes, Danny Trom reflects on the political dimension of majority-minority relations in Israel.

A certain postcolonial thinking is diametrically opposed to what can be considered left-wing politics and would be structurally anti-Jewish argues the great art historian Horst Bredekamp, one of the founders of the Humboldt Forum, in an op-ed published in the Frankfurter Allgemeine Zeitung (FAZ) last March. This text had a considerable impact on the German and English-speaking intellectual and media scene. We take it up in K., putting it in context: within a controversy about the ‘decolonization’ of art and museums.