Article by Bruno Karsenti
The “Diaspora” collection, founded by Roger Errera in 1971 at the French publishing house Éditions Calman-Levy, has been decisive in more than one way for the French public in general, and for French Jews in particular. For non-Jewish French people, it opened the best possible access to Judaism. For the Jews themselves, it represented an invaluable aid for re-understanding their diasporic situation after the Holocaust. By sketching a portrait of Roger Errera, Bruno Karsenti endeavors to bring out the new meaning of this diasporic position in post-Holocaust Europe. If persevering in exile is the characteristic of the Jewish people, and if this condition is modified without being vitiated by the existence of the State of Israel, then it is a singular political position that emerges.
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