Culture

Yes by Nadav Lapid electrified Cannes and French critics. Hailed as both a political pamphlet and a cathartic confession, the film nevertheless raises a question: what exactly are we applauding in this work that is considered radical? Behind the cinematic object, it is the discourse of the media-savvy Israeli director—sometimes embracing the role of deconstructed sabra, sometimes that of prophet of doom or visionary poet—that fascinates French critics.

Throughout the summer, K. has brought you a weekly feature compiling five articles previously published in the magazine. To conclude this series and mark the start of the new season, we bring you some of the great interviews featured in the magazine this year: with David Nirenberg, Anna Zawadzka, Ruth Beckermann, Daniel Cohn-Bendit and Steven J. Zipperstein.

This summer, K. invites you to rediscover, in each of its weekly issues, a feature consisting of five articles previously published in the magazine. This week with articles by Valeria Solanstein,…

This summer, K. invites you to rediscover, in each of its weekly issues, a feature consisting of five articles previously published in the magazine. This week with five pieces by…

This summer, K. invites you to rediscover, in each of its weekly issues, a feature comprising five previously published articles from the magazine. This week, we have put together a…

Danny Trom’s article “Holy Week on Xanax” sparked numerous reactions. Among the letters, some more constructive than others, one stood out: the response from anthropologist and historian Leopoldo Iribarren, which the editorial staff of K. unanimously decided to publish. Danny Trom, having come to his senses but far from repenting, responds to his colleague’s friendly challenge.

Keith Kahn-Harris, author of Everyday Jews: Why the Jewish people are not who you think they are, questions, with a hint of provocation, this strange and alienating Jewish tendency to want to make themselves indispensable to the world. What if the best response to antisemitism was ultimately to claim the right to frivolity, to allow oneself a perfectly superfluous existence?

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Milena Jesenská was much more than the heroine of the passionate correspondence she had with Kafka: she was a brilliant journalist, a free and committed woman who became a ‘Righteous Among the Nations’ in 1994. With her intelligence and strength of character, she captivated Kafka, inspiring him to write some of his finest letters. She also captivated Margarete Buber-Neumann, with whom she was deported to Ravensbrück and to whom she dedicated a splendid book-portrait. On the occasion of the seventieth anniversary of Milena’s death, Christine Lecerf expressed her admiration for the woman whom Kafka wanted “to carry in his arms out of the world”.