Article by Julia Christ

There are the facts: the violence of the Russian force that is bearing down on Ukraine. There are the words: Putin’s propaganda, Zelensky’s desperate appeals to win the support of a West unable to provide a conclusive solution. Then there is the perception of the facts and the words in Europe, stunned by the event and forced to reflect on policy approaches. The return of war to our continental home already points to options for future European integration. These options, ineluctably, find themselves imbricated with questions of Jewishness and Holocaust memory. It is mainly on this issue that Julia Christ proposes her analysis, paying attention to the words used and to the representations deployed on both sides.

Born in Germany, from which she fled to London, the narrator of “The Appointment” pours out her heart while being examined by her gynecologist, Dr. Seligman. Resolutely provocative, mixing sexual fantasies about Hitler with sharp insights into our contemporary society, the novel is a satirical parable over which the shadow of Philip Roth, Woody Allen and Thomas Bernhardt hovers.

The anti-vax and anti-sanitary pass demonstrations, where yellow stars flourish, are the social movement of the summer, in France as in Europe. For Julia Christ, it is not the “anti-system” rear-guard of society that is expressing itself through the gesture of hijacking this historical symbol, but rather a kind of hyper-individualist and ultra-liberal avant-garde.

The Humboldt Forum’s vocation is to host exhibitions on non-European cultures. But this ethnographic museum is now at the center of a controversy over the ownership of artworks and objects obtained during the German colonial empire in Africa and Asia. In this interview with the art historian Horst Bredekamp, we wanted to learn more about a forgotten German ethnographic tradition – and in particular about the contribution of Jewish scholars and collectors within this tradition.

Does the Holocauste constitute a unique crime that marks a turning point in European history? Or should we count it just as another crime that is not extraordinary in itself?…

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Thanks to the Paris office of the Heinrich Böll Foundation for their cooperation in the design of the magazine’s website.