Culture - Germany
Born in Germany, from which she fled to London, the narrator of “The Appointment” pours out her heart while being examined by her gynecologist, Dr. Seligman. Resolutely provocative, mixing sexual fantasies about Hitler with sharp insights into our contemporary society, the novel is a satirical parable over which the shadow of Philip Roth, Woody Allen and Thomas Bernhardt hovers.
Frédéric Brenner has spent the last three years exploring Berlin — a stage for a vast spectrum of expressions and performances of Judaism. ‘Zerheilt: Healed to Pieces’ is the name of the recently opened exhibition at the Jewish Museum in Berlin and the book that comes with it. It features images of equally fascinating and emblematic figures of a strangeness of the Jewish presence in Berlin today.
Fifty-five years ago, in 1966, Jean Améry published ‘At the Mind’s Limits: Contemplations by a Survivor on Auschwitz and Its Realities’. In the preface he speaks of the “a gloomy spell” that prevented him from speaking for two decades, until the moment when “suddenly everything demanded telling.” This “everything” that wanted to be said is first of all a powerlessness: that of culture and spirit in the face of Auschwitz.
The Humboldt Forum’s vocation is to host exhibitions on non-European cultures. But this ethnographic museum is now at the center of a controversy over the ownership of artworks and objects obtained during the German colonial empire in Africa and Asia. In this interview with the art historian Horst Bredekamp, we wanted to learn more about a forgotten German ethnographic tradition – and in particular about the contribution of Jewish scholars and collectors within this tradition.
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