Skip to content
K. Jews, Europe, 21st Century
Create an account and discover the new features.

The Editors

Articles by The Editors

Image of the article

#53 / Editorial

  One year ago, on March 22, 2021, the first issue of K. was published. On the morning of that first issue, we were driven...
Image of the article

#52 / Editorial

To the surprise of all, and certainly the Jews themselves, the Jewish signifier has been present since the first day of the war against Ukraine....
Image of the article

#51 / Editorial

  Russia’s assault on Ukraine has reintroduced war to the heart of Europe. No one can predict how long the conflict will last or what...
Image of the article

# 50 / Editorial

  One should have solid reasons to unleash armed conflict on the European continent in this post-World War II era. Putin’s Russia rattles off justifications,...
Image of the article

#49 / Editorial

  The three texts that appear in K. this week all focus on Germany, the weight of its Nazi past, and the fundamental ambivalence that...
Image of the article

#48 / Editorial

  After the Holocaust, after the creation of the State of Israel, the map of Jewish life was deeply changed. Its most significant centres have...
Image of the article

#47 / Editorial

  In the mid-1990s, the number of Jews in Algeria did not exceed fifty, whereas 150,000 lived there before independence. And yet… a rumor persists....
Image of the article

#46 / Editorial

  Leopold Bloom and Stephen Dedalus wander through Dublin on a long day like everyone else. Bloom is the modern-day Odysseus who finally returns home...
Image of the article

#45 / Editorial

We are not talking this week in K. about Michel Houellebecq’s latest novel, recently released in France, but rather his penultimate one, Submission (published in...
Image of the article

#44 / Editorial

  A photograph illustrating Simone Disegni’s article on the attack on the Great Synagogue of Rome in October 1982 shows the pain and rage of...
Image of the article

#43 / Editorial

  “The craft of forgery, like the photographic shot, prompts us to wonder about authenticity,” warns Elisabeth de Fontenay in her portrait of Adolfo Kaminsky,...