Article by Philippe Zard
The story is well known: Kafka asked his friend Max Brod to destroy his manuscripts. Not only did Max Brod not do so, but he became the guardian of the writer’s memory, his biographer and publisher, the owner of most of his manuscripts – which he took to Israel. Who owns all these archives today? In his book-investigation, Benjamin Balint followed the events surrounding Kafka’s manuscripts, from the political and literary quarrels to the judicial outcome. Philippe Zard returns for K. to the story of a misheritage.
Georges Clemenceau, France’s newspaper editor-cum-prime minister, endures in historical memory as an implacable foe of antisemitism. He was accused of being indebted to “the Jewish syndicate.” Reading Au pied du Sinai (At the Feet of Sinai, untranslated) might be surprised to find in this collection of short stories and monologues rhetoric that belies the text’s status as a pro-Jewish apologetic. Clemenceau regurgitates a bevy of antisemitic motifs in this book. Philippe Zard explains how at the turn of the century antisemites and anti-antisemites both drew on “a broad repertoire of shared representations” vis-a-vis Jews.
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