Article by Maximilian Serrermann

Following André Markowicz’s article published last week on the Israel Philharmonic Orchestra’s concert at the Philharmonie de Paris, we received this first-hand account from a member of the audience. He recounts, from his seat, the music and the emotions of that evening on November 6, 2025: drones flying over the building, interruptions, smoke bombs, the Israeli national anthem as an encore. Through Beethoven and Tchaikovsky, this account questions what a concert can achieve when current events intrude on the very heart of the listening experience.

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Thanks to the Paris office of the Heinrich Böll Foundation for their cooperation in the design of the magazine’s website.